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Matouqin
Chinese influences are obvious. Much of the music is pentatonic and often alternates between semi-rubato and up tempo passages. Techniques are sometimes fiddle-istic with drones and rhythmic, pulsing bow strokes. There are also plenty of slow, Indian-like slides. The Far East has not had significant impact on the world music circuit. The music on Matouquin is easily accesible to Euro-American tastes. It could be construed as mood music (in a positive sense). The players are obviously virtuosi on the matouquin and I occasionally detect a bit of Western approach to bravura technique. Most of the notes are in Chinese which, in part, mentions that the matouqin can sound "like a horse neighing." - Stacy Phillips Audio: ©2000 Hugo Music (China), used by permission
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