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Claudio Puntin & Gerdur Gunnarsdottir
Both artists understand the importance of silence, exhibit excellent tone, able rhythm, and have examined the timbral vocabulary of their respective instruments in building a moody, tastefully varied suite out! of the textures. Puntin often adds drama when things have been too quiet with whooping and trills and arabesque semi-tones; reporting throughout from all registers of his woodwind. Thematically, the pastoral end of this acoustic landscape as in "Melting Ice" or "Midsummer," is balanced with the tellingly human, as in "The Eremite" or the lullaby "Each Little Step," especially when Gunnarsdottir sings. The latter are very valuable to this ambitious, cool recording which may have benefited from the occasional addition of hand drums to boost the human enchantment factor. Still, Ylir exudes a pervasive quality of dimly lit isolation, very much in line with ECM's penchant for Scandinavian ambience, and submits the fine technical dexterity of Puntin & Gunnarsdottir on its own terms. - Steve Taylor
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