#1
Carlinhos Brown
"Alfagamabetizado"
Metro Blue
Carlinhos Brown ignited the world this year with the long-awaited domestic
release of "Alfagamabetizado." A smash hit in Brazil, Brown’s dazzling
blend of rock, funk, samba, carnival percussion and cosmic weirdness quickly
earned him the American nickname of the "Brazilian Prince (Artist Formerly
Known As)." Brown’s instrumental-prowess and chameleon-like imagery prelude
an artist with stunning creativity and vision.
#2
Cheikh Lo
"Ne La Thiass"
Nonesuch
As a child in the 1950’s, Senegalese artist Cheikh Lo immersed himself in
earfuls of imported 78rpm Cuban son records with their mercury-cool rhythms
and sensuous vibe. Years later, Lo released an EP cassette tape of originals
chocked full of Latin influences that caught fire throughout Africa. "Ne La
Thiass" contains the EP plus three new songs produced by Youssou N’Dour. Lo
’s golden voice is subtly captured as it soars with spiritual intonations
augmented by brushed drums, acoustic guitar, bass, and African-based
percussion.
#3
Arto Lindsay
"Mundo Civilizado"
BAR NONE
Continuing his exploration of Brazilian music, Arto "No Wave" Lindsay and
his crew of New York groove masters (DJ Spooky, Melvin Gibbs [Rollins Band],
Bernie Worrell) stab into Brazilian rhythms and nylon-strung melancholy with
up-town drum and bass and sampled atmospheres. More richly satisfying than
the recurrently languid "O Corpo Sutil," Lindsay’s voice is acutely
developed with meticulous sonic arrangements of interplay between wispy
melody and thundering undercurrents of rhythm.
#4
Talvin Singh
"Anohka"
Quango
With all the attention this year on electronica, Talvin Singh’s collection
of Asian underground dub and drum & bass (mainstays from his Anohka
nightclub) remains one of the genre’s most original creations. Eastern
tablas and vocal drones in club-oriented music is definitely nothing new,
but Singh’s aural passport expertly blends classical Indian ragas and
frenetic tablas into the fabric of trip-hop and drum and bass.
#5
Zap Mama
"Seven"
Luaka Bop
With "Seven," Zap Mama jumped ship from their constrained polyrhythmic scat
attack (losing a member or two in the process) only to be dually acclaimed
for bravery and condemned for selling out. In truth, Zap Mama breathed
fresh air into their craft by incorporating soukous, reggae, soul (Phoebe
Snow’s ‘Poetry Man’ with Spearhead), and hip hop to produce a thrilling
cross-cultural blend devoid of classification.
#6
Gilberto Gil
"Quanta"
MESA
Gilberto Gil, Brazilian elder statesman and griot, clearly has a lot on his
mind these days -- specifically the murky, almost utopian crossroad between
art, physics and philosophy. From this mental paradigm flows some of the
best music he has ever made. A twenty-track explosion of richly melodic
Brazilian MPB from its master.
#7
Cesaria Evora
"Cabo Verde"
Nonesuch
"Cabo Verde," the follow-up to 1994’s highly acclaimed "Cesaria Evora,"
features Evora’s gorgeous, smoky voice, which knowingly slides notes like
the slow passage of time. Widely recognized as the "barefoot diva" of the
morna, Evora sings about nostalgia, fate, and love in an intelligible tone
that transcends language barriers by plunging straight to the heart.
#8
Mini All Stars
"Vive Compas"
Earthworks
"Clearly, my dear, this is the best of all Haiti" (Vive Compas). The Mini
All Stars, an assemblage of old members from Nemours Jean Baptiste’s
(inventor of the immensely popular compas style of tropical music in 1955)
original group and compas-influenced youngsters, swing with slinky guitars,
surging horns and red-hot accordions. Like Zairian soukous, compas demands
plenty of endurance, and rewards the ears with plenty of pastoral melodies
and driving percussion.
#9
The Skatalites
"Foundation Ska"
Heartbeat
Ska -- the essential root of reggae and pervasive media term for many
popular rock groups today, has deeper roots than most are aware of. The
Skatalites were the top dancehall band of their day who recorded more hits
together than any other musical ensemble in Jamaica's history. Amazingly
fresh after thirty years, their high-flying swing is still essential party
music - then and now.
#10
Soul Brothers
"Born to Jive"
Earthworks
One of South Africa’s greatest pop groups, The Soul Brothers’ stomping
"gumboot" rhythms borrow from American r&b and soul to create a swinging
push and pull township groove. Jubilant Hammond organ solos mesh with
pulsating saxes and wildly tremulous vocals that never rest.