Toronto based Showdoman has given soukous lovers another excuse to hit the dance floor. In fact, for his latest album Entente Cordiale (Outside Music), Showdoman scored a coup by recruiting the creme de la creme of Congo's vocal scene including Papa Wemba, crooner Koffi Olomide, Nyboma and many others.
And if that was not enough, Showdoman reaches deep into roots rumba, allowing each song to evolve naturally toward a dust raising climax. Veteran guitarists Syran Mbenza, Lokassa Ya Mbongo and Japonais keep the music crisp, sharp and rolling on "Congo Mayeya" and my favorite, "Rocco Massala."
However, Showdoman shows true grit (and a very Canadian predisposition for accommodating others) when he sings three tracks in English- "Africa Motherland," "Leave Me Alone" and "I Love You." This may be the one of the first times English is used successfully in soukous instead of Lingala and French.
Perhaps the only draw-back in featuring mega-stars on the album is that Showdoman is occasionally buried under their brilliance. But, the indomitable show man always emerges stronger, confident and in control, making this one of the best soukous album so far in 1999.
Compilation Nation
The nice thing about compiling several artists on one disc is the variety of music. The flip side of that is the possibility of jamming the album with music no one wants to listen to. Luckily, Kings of African Music and its twin, Queens of African Music ( both Music Club - www.musicclub.com) are filled with some of the best talents from the continent.
There is no question that compiler Rick Glanvil wanted this to be a hit parade and he has succeeded. The kings include stars like Youssou N'Dour, Ali Farka Toure, Franco, Manu Dibango, Thomas Mapfumo, Baaba Maal and more. The queens include big names like Angelique Kidjo, Mbilia Bel, Amy Koita, Tarika, Yvonne Chaka Chaka and many others.
Perhaps the best part of the two albums is the sensible balance between dance and listening music. For instance, while Kanda Bongoman's "Zing Zong" is a floor scorcher, Ali Farka Toure's "Hawa Dolo" is more reflective. And while Mbilia Bel offers pepper hot soukous, Oumou Sangare's "Djorolen" makes you sit up and listen. This pattern is repeated successfully throughout the two albums.
- Opiyo Oloya