Book Review:
Fiddling For Norway
by Chris Goertzen
(University of Chicago Press, 347 ppg, $22.50 paperback)
Norway is blessed with two types of folk violin, the famous Hardanger and
the standard fiddle. As Dr. Goertzen explains, the latter and its specific
repertoire, is as common, but suffers from lack of exposure
due to the former being held as a cultural icon of Norway. This book
examines the fiddle and, unavoidably, always in its relation to Hardanger.
The book examines the history of fiddling in Norway, stressing that
country's folk revival of the past fifty years. Of special interest to some
readers will be the key place of contests in this revival. The
controversies concerning this are similar to what is taking place in the
United States with regards to the so-called "national contest style"..
Goertzen investigates the judging process and how traditional performance
values (eg. dance-ability) conflict with art music esthetics that often
drive the decision making process. These tend to eliminate relatively
simple tunes that work well at dances and hastens the (seemingly
inevitable) homogenization of regional differences.
There are 127 detailed transcriptions of mostly two part tunes, many of
which are metrically crooked (in the number of measures per section). The
performance practices of playing this music is discussed in detail. An
accompanying tape of this hard-find-find music (at least in America) would
have been a big help.
This is academic work, with data and detail, but it is very readable
without unnecessary jargon (though the musical analysis does employ some
musicological terms). My favorite fact - many counties in Norway partially
subsidize folk fiddlers! - Stacy Phillips
This book is available from cdroots.com