Three CDs of blues, folk and gospel from the Florida Folklife Collection Bonus CD #4: Music from the Florida Folklife Collection From "Shove It Over," a WPA recording of a work song performed by Zora Neale Hurston, to "Orange Blossom Special," performed by Gamble Rogers and Will McLean, this CD spans fifty years of Florida folk music.
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Richard Williams Tell The Truth: Blues and Gospel
The music of Richard Williams and his family suggests what country blues music in Florida might have sounded like in the early part of the 20th century. Born in 1887 in Jonesville (near Gainesville in Alachua County), Williams started out performing at local parties after learning to play guitar in the phosphate camps where he lived. His repertoire consisted largely of dance numbers known as "set pieces" but also included blues songs picked up from itinerant workers and popular songs from local jukeboxes. The majority of the recordings on this compilation were made by the Florida Folklife Program for the North Florida Folklife Project on May 27, 1978, capturing Williams in the twilight of his life only three years before his death in 1981. While his technique and memory are not as strong as they would have been when he was in his prime nearly 60 years earlier, this collection provides a unique glimpse into a bygone era of black folk music.
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Various Shall We Gather at the River
This disc highlights Florida�s African American religious music traditions. The collection features both nationally recognized acts and previously unknown local artists, including the Dixie Hummingbirds, the Georgia Sea Island Singers, the Versiteers, and the Amigo Male Singers. Christian sacred music is performed by African-Americans in a variety of social contexts, which range from informal unaccompanied singing, to spirited church meetings, to gospel concerts by professional artists. Like its secular counterparts such as jazz, blues, and various other popular music forms, the music combines African and European influences to create unique and compelling musical expressions.
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various artists Where the Palm Trees Shake at Night
The music presented on Where the Palm Trees Shake at Night was selected from hundreds of hours of Florida Folk Festival performances and field recordings spanning 25 years, from 1977-2002. Alongside the down-home folk traditions of Emmett Murray, Richard Williams, and Moses Williams are performances of standard blues by Albert "Buck" Thompson, Charles Atkins and Martin "Tampa Blue" Locklear. The Piedmont finger-picking style of North Carolina guitarist Etta Baker was captured at the Florida Folk Festival, as was the renowned Washington, D.C. duo Cephas and Wiggins� more modernized interpretation of Piedmont Blues.
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