Dylan McDonnell writes:
"Transparent Water occupies space within several different spectra: between plucked and hammered strings, spontaneous and preconceived composition, wandering and purposeful trajectories. Its fluidity reflects a continuity of Cuban pianist Omar Sosa's vision of transcontinental blurring of styles and idioms in an ultimately Afro-diasporic framework (previously demonstrated on albums such as 2013's Eggun: The Afri-Lectric Experience). This time around Sosa has partnered with Senegalese kora player and singer Seckou Keita to engage a project of exploratory proportions: the album features elements of multiple African regional musics (Mandinka and Yoruba), Chinese reed timbres, Japanese koto playing, and the Afro-Latin piano and percussion canons."
Read Dylan's's full review.

Listen!: "Fatilaku" "Black Dream" "Peace Keeping" "Moro Yeye" "Zululand"

More about Transparent Water

Transparent Water is the new studio collaboration between 7-time GRAMMY-nominated pianist-composer-bandleader Omar Sosa and London-based Senegalese singer and kora master Seckou Keita. It�s slated for release in January 2017.

The project idea grew out of Sosa�s impromptu addition to a mid�2012 date with drummer Marque Gilmore at the CLF Art Caf� in London, in what was Sosa and Keita�s first musical encounter. Profoundly moved by the experience, Omar told Seckou he wanted to invite him to work together on a future recording project. Given their respective touring and recording schedules, it took a year, but in July 2013 Omar and Seckou went into the Fattoria Musica recording studio in Osnabr�ck, Germany and laid down the core tracks for Transparent Water.

Another chance meeting informs Transparent Water : in April 2013, Galician bagpiper-pianist-composer Cristina Pato invited Omar to Santiago de Compostela, where Pato hosts an annual residency frequented by associates of Yo-Yo Ma�s Silk Road Ensemble. There Omar met Silk Road charter member and sheng master Wu Tong, whom Omar was moved to bring into the project. In connection with a concert date in Shanghai in July 2014, Omar arranged a side trip to Beijing to record Wu Tong�s traditional flute overdubs.

Tokyo-born, Paris-based koto player Mieko Miyazaki came to Omar�s attention via her recorded work with French jazz guitarist Nguy�n L�. When Omar finally had the chance to meet her, Mieko�s creative spirit utterly impressed him, and he enlisted her distinctive voice for Transparent Water.

For percussion, Omar turned to longtime collaborator Gustavo Ovalles, who divides his time between France and his native Venezuela. Ovalles (who can be heard on three prior Sosa projects�Sentir, Ayaguna, and Egg?n) brings the polyrhythmic soul of the African Diaspora to Transparent Water.

Paris-based drummer-producer Steve Arg�elles crafted the mix with Omar, having previously worked on Sosa�s award-winning Mulatos and Afreecanos CDs.

Transparent Water is the latest example of Omar Sosa�s transcendent determination to seek new combinations, a manifestation of improvisatory freedom wherein the musical destination is subordinate to the extemporaneous joy of shared artistic expression. Omar observes that, as he did with Sentir, �What I wanted to do was create something totally improvised.�

Transparent Water - suggestive of translucence and flowing light�is a deeply spiritual recording that reveals its inspiration in the close and compassionate listening of artists engaged in a genial and captivating musical conversation, liberated from time itself, reaching across five continents to probe the collective spirit of the human condition.

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