Aurelio Martínez
With its dense percussive array and emphasis on vocal artistry, the African-Amerindian music of the Garifuna people is quite unlike any other genre in Central America (or the rest of the Caribbean, Latin America or West Africa, for that matter). Although Garifuna musicians began taking their music north to New York, Los Angeles, Chicago and other U.S. urban centers as part of an emigration process that began in the late 1940s, a sole field recording made in the early 1950s was long it only recorded documentation. The past 15 years or so has produced a number of new recordings on small labels, but Garifuna music continues to fly under the radar of many who fancy themselves fans of world music.
Garifuna Soul, Martínez's solo debut album, recently captured the attention of AfroPop Worldwide, which named him newcomer of the year. Backed by some of Belize's best studio musicians, who improvise adeptly on Garifuna percussion, saxophone, electric and bass guitars, Martínez takes the music into the future without compromising the cultural foundations of his inspiration. No hype or derivative artifice here, just contemporary roots music true to its hybrid cultural origins, untainted by the misrepresentations and commercial excess that characterize so much of what's on offer in the global music souk these days.-Michael Stone
CD available from cdRoots
|
Comment on this music or the web site.
Write a Letter to the Editor
|
© 2005 RootsWorld. No reproduction of any part of this page or its associated files is permitted without express written permission.